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Maestri vetrai creatori di Murano del '900
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ISBN: 8843553011 9788843553013 Year: 1995 Publisher: Milano: Electa,

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Glass art


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Sculptures contemporaines en cristal et en verre des pays de la Communauté européenne
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Year: 1992 Publisher: [Liège] Fortemps

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Glass art


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Les verriers de l'ombre ou le souffle populaire : exposition du Musée du Verre de Charleroi, 11 septembre - 7 novembre 2010
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Year: 2010 Publisher: Charleroi: Musée du Verre de Charleroi,

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Glass art --- Glass


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Medium Verre 21
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Year: 2014 Publisher: Charleroi : Musée du verre:

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Glass art --- Glass

Glass throughout time : history and technique of glassmaking from the ancient world to the present
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ISBN: 8884913454 9788884913456 Year: 2003 Publisher: Milan Skira

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Glass art --- Glassware

Glass and print
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ISBN: 0713664916 0812219465 9780713664911 9780812219463 Year: 2006 Publisher: London A. & C. Black

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Glass art --- Prints --- Technique


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Glossario del vetro veneziano : dal Trecento al Novecento
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ISBN: 8831780301 Year: 2002 Publisher: Venezia Marsilio

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Glass art --- Italian


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Seeing Renaissance glass : art, optics, and glass of early modern Italy, 1250-1425
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Year: 2018 Publisher: Bern : Peter Lang International Academic Publishers,

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With the invention of eyeglasses around 1280 near Pisa, the mundane medium of glass transformed early modern optical technology and visuality. It also significantly influenced contemporaneous art, religion, and science. References to glass are found throughout the Bible and in medieval hagiography and poetry. For instance, glass is mentioned in descriptions of Heavenly Jerusalem, the Beatific Vision, and the Incarnation. At the same time, a well-known Islamic scientific treatise, which likened a portion of the eye's anatomy to glass, entered the scientific circles of the Latin West. Amidst this complex web of glass-related phenomena early modern Italian artists used glass in some of their most important artworks but, until now, no study has offered a comprehensive consideration of the important role glass played in shaping the art of the Italian Renaissance. Seeing Renaissance Glass explores how artists such as Giotto, Duccio, Nicola Pisano, Simone Martini, and others employed the medium of glass-whether it be depictions of glass or actual glass in the form of stained glass, gilded glass, and transparent glass-to resonate with the period's complex visuality and achieve their artistic goals. Such an interdisciplinary approach to the visual culture of early modern Italy is particularly well-suited to an introductory humanities course as well as classes on media studies and late medieval and early Renaissance art history. It is also ideal for a general reader interested in art history or issues of materiality.

Keywords

Glass art. --- Italy --- Civilization


Book
Seeing Renaissance glass : art, optics, and glass of early modern Italy, 1250-1425
Author:
Year: 2018 Publisher: Bern : Peter Lang International Academic Publishers,

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Abstract

With the invention of eyeglasses around 1280 near Pisa, the mundane medium of glass transformed early modern optical technology and visuality. It also significantly influenced contemporaneous art, religion, and science. References to glass are found throughout the Bible and in medieval hagiography and poetry. For instance, glass is mentioned in descriptions of Heavenly Jerusalem, the Beatific Vision, and the Incarnation. At the same time, a well-known Islamic scientific treatise, which likened a portion of the eye's anatomy to glass, entered the scientific circles of the Latin West. Amidst this complex web of glass-related phenomena early modern Italian artists used glass in some of their most important artworks but, until now, no study has offered a comprehensive consideration of the important role glass played in shaping the art of the Italian Renaissance. Seeing Renaissance Glass explores how artists such as Giotto, Duccio, Nicola Pisano, Simone Martini, and others employed the medium of glass-whether it be depictions of glass or actual glass in the form of stained glass, gilded glass, and transparent glass-to resonate with the period's complex visuality and achieve their artistic goals. Such an interdisciplinary approach to the visual culture of early modern Italy is particularly well-suited to an introductory humanities course as well as classes on media studies and late medieval and early Renaissance art history. It is also ideal for a general reader interested in art history or issues of materiality.

Keywords

Glass art. --- Italy --- Civilization


Periodical
Glass.
Author:
Year: 1990 Publisher: New York, N.Y. : New York Experimental Glass Workshop,

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